🇬🇧 Short presentation for “Trompe l’œil”, Agostino Iacurci’s solo show at Celaya Brothers Gallery, Mexico City, November 10 / December 9 2017 […] une abstraction qui n’en retient que l’essence Yves Bonnefoy In an essay from 1953 named Les tombeaux de Ravenne, Yves Bonnefoy uses these words…
🇮🇹 Short presentation for Heritage, Andreas Senoner’s solo show at Doppelgaenger Gallery, Bari, October 5 2017. Nel 1908 il biologo e neurologo tedesco Richard Semon scrisse Die Mneme, saggio che oggi ricordiamo per aver introdotto un neologismo destinato a trasformare per sempre l’idea di memoria, quella…
🇮🇹 Short presentation for Crossroad #3, a double solo show by Eltono and StenLex at Doppelgaenger Gallery, Bari, May 4 2017 Nel corso della mia vita ho incontrato non più di una o due persone che comprendessero l’arte del Camminare, ossia di fare passeggiate, che avessero…
🇮🇹 Critical text for Il mormorio dei fossili, Sarah Jérôme’s solo show at Doppelgaenger Gallery, Bari, March 10 2017 Vint la vie : une humidité sophistiquée, promise à un destin inextricable ; et chargée de secrètes vertus, capable de défis, de fécondité. […] Turbulente, spasmodique, une sève,…
🇮🇹 Essay for La palude approssimativa, Marcello Barison’s solo show at Ninni Esposito Arte Contemporanea, Bari, December 3 2016 La palude è sempre se stessa, e tuttavia è sempre altro. G. Manganelli, La palude definitiva Grazie alla forma le opere […] sembrano annunciare in…
🇬🇧 Critical text for OK OK OK OK OK, Mattia Lullini’s solo show at Galleri Magnus Winström, Göteborg, November 3 2016. …he demanded a disquieting vagueness that would give him scope for dreaming until he decided to make it still vaguer or more definite. […] He…
🇬🇧 🇮🇹 Critical text for Clima estremo, Tellas’ solo show at Wunderkammern Gallery, Rome, October 15 2016. Proud music of the storm! Blast that careers so free, whistling across the prairies! Strong hum of forest tree-tops! Wind of the mountains! Personified dim shapes! you hidden orchestras!…
🇬🇧 Comfort Zone Self-published fanzine curated by Quiet Propaganda Studio Wallpainting: CT, Pic: Marco Schiavone, Text: Vittorio Parisi 2016. Abandoned places originate from the cessation of an activity. They naturally evolve to a secondary landscape. Gilles Clément, Manifeste du tiers paysage, 2004 The non-place is…
🇫🇷 Critical text for Toujours béton, group show by 108, Alberonero, CT, Marco Schiavone and Mattia Lullini for Galerie Slika, Lyon, May 19 2016. La ligne graphique caractérise la surface et la détermine en se la subordonnant comme son fond. […] La ligne graphique donne à…
🇬🇧 Short presentation for Long Story Short, Agostino Iacurci’s solo show at Die Kunstagentin, Cologne March 16 2016. Your gaze is suddenly captured by the colorful image of a plant sitting on a chair, wearing a hat and with a pair of boots lying on…